What is true motivation for movement? When does dance feel real? How to maintain the liveliness, spontaneity and richness of an initial improvisational experience while fixing a reproducible sequence?
"In my eyes a choreographed phrase becomes exciting when it provides a dancer with the possibility to experience his/her very individual impulses and emotions. In an open research situation I will offer ideas and experiments that try to generate such true physical motivation: playing with unpredictability, provoking a temporary loss of control and asking for quick, surprising reactions, as well as creating/overcoming resistances. Using contrasts and conflicts between: body parts, space concepts, surrounding and other persons.
My aim is to share tools that have proved fruitful in my own experience and provide possible guidelines for the creation of movement."
