This Laboratory engages in feelings rising during dancing: how are dancers dealing with wishes, anger, desires, fears, boundaries, challenges, demands, violations etc.? How to transform these feelings into dance?
The situation of dancers with and without so-called disabilities will be investigated: on the one hand people with disabilities seem to be treated as a-sexual beings (such as labels for toilets: "gents" – "ladies" – "wheelchair") and on the other hand especially women with disabilities are the ones mostly affected by sexual assaults.
Where are the differences and similarities of dancers with and without so-called disability? How self-sufficient are dancers with their bodies – what can a choreographer demand of them?
